My God! Look at you two! Ok, I'm driving home e, about and hour , after midnight. So glad I have the uncut version. Love this song, it's always playing in my car. This song is great Young people are the ones that buy stream and download music.. This is some next level cringey shit, it's like somehow worst than blue face or tekashi You're the type of guy that can't control your girl You try to buy her love with diamonds and pearls I'm the type of guy that shows up on the scene And gets the seven digits, you know the routine You're the type of guy that tells her, "Stay inside".
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Ashley S. First, there is the auditory perception itself: the physics of sound waves making their way through your ear and into the auditory cortex of your brain. And then there is the meaning-making: the part where your brain takes the noise and imbues it with significance. That was a car alarm. Mondegreens occur when, somewhere between the sound and the meaning, communication breaks down. Other times, the misperceptions come from the nature of the speech itself, for example when someone speaks in an unfamiliar accent or when the usual structure of stresses and inflections changes, as it does in a poem or a song.
What should be clear becomes ambiguous, and our brain must do its best to resolve the ambiguity. We only learn when one word stops and the next one starts over time, by virtue of certain verbal cues—for instance, different languages have different general principles of inflection the rise and fall of a voice within a word or a sentence and syllabification the stress patterns of syllables —combined with actual semantic knowledge. Very young children can make mistakes that shed light on how the process actually develops.
People immersed in an environment with a new language often initially experience the same thing: a lack of clear ability to tell what words, exactly, should properly emerge from the sounds that are being spoken.
For us, on a basic level, word processing will always be just a bit different from that of native English speakers. A common cause of mondegreens, in particular, is the oronym: word strings in which the sounds can be logically divided multiple ways.
Children might wonder why Olive, the other reindeer, was so mean to Rudolph. And a foreigner might become confused as to why, in this country, we entrust weather reports to meaty urologists or why so many people are black-toast intolerant. Oronyms result in not so much a mangling as an incorrect parsing of sounds when context or prior knowledge is lacking. Other times, the culprit is the perception of the sound itself: some letters and letter combinations sound remarkably alike, and we need further cues, whether visual or contextual, to help us out.
In their absence, one sound can be mistaken for the other. For instance, in a phenomenon known as the McGurk effect , people can be made to hear one consonant when a similar one is being spoken.
Peter Kay offers an auditory tour of some other misleading gems. What usually prevents us from being tripped up by phonetics is the context and our own knowledge. According to the cohort model —one of the leading theories of auditory word processing—when we hear sounds, a number of related words are activated all at once in our heads, words that either sound the same or have component parts that are the same.
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